’Tis very much the season for cinema awards, with the Golden Globes, BAFTAS and Oscars following close on each other’s heels. Squeezed into the mix this last Friday was the French equivalent, the Césars, and it was good to see … Read More
Director Christophe Honoré has spoken of his latest film Le Lycéen (Winter Boy), which evokes the death of his father when Honoré was only 15, as his most personal yet. He has chosen, however, not to place the action in … Read More
Take a very thin script, set your film on a gorgeous tropical island, hire some good actors but let the main character do most of the talking, then stretch the movie out to two hours and 45 minutes. The result … Read More
L’Innocent is not really sure what kind of film it is. It’s a kind of stylish mystery/thriller/family drama, like Sophie Marceau’s latest, Une Femme de Notre Temps, but it’s also a kind of heist film, a kind of comedy and … Read More
The French actor Sophie Marceau, who is approaching the age of 57, has been an absolute star in France and elsewhere for some 42 years, ever since her first adolescent role in Claude Pinoteau’s La Boum (The Party) in 1980. … Read More
Tout le Monde Aime Jeanne is in some respects a very conventional movie. It follows all the rom-com clichés of a single woman having to decide between various men, with the probability that she will end up with the man … Read More
As crazy as it might seem to be going to the movies in the middle of a heatwave in Paris, over two hours spent in an air-conditioned cinema afforded a much-needed respite from temperatures that have been edging above 40 … Read More
What’s the point of remaking an old film? Not much that I can see in such cases as Gus Van Sant’s word-for-word and shot-for-shot 1998 copy of Alfred Hitchcock’s Psycho. That is not a problem, however, in the stylish new … Read More
The film Ça Tourne à Saint Pierre & Miquelon (Fishy Business in Saint-Pierre et Miquelon), directed by Christian Monnier, starts out with some overplayed comic moments that are disquietingly close to the broad comedy of the kind that elicits groans … Read More
In spite of enthusiastic recommendations from friends and good reviews in the press, I was hesitant to see Cédric Klapisch’s new film, En Corps (Rise). I had loved his early film Chacun Cherche Son Chat (When the Cat’s Away) but … Read More
