To the uneducated eye, traditional Chinese landscape paintings may all look pretty much the same, with their tall, pointy mountains, misty skies and tiny figures, but each one is not only an individual work of art but also a compendium … Read More
I have said it before and will probably say it again: the Musée Zadkine is one of my favorite museums in Paris, with its small light-filled house and studio set in a garden, the whole charming ensemble cut off from … Read More
The exhibition “Anni et Josef Albers: L’Art et la Vie” at the Musée d’Art Moderne de Paris focuses on the ultimate 20th-century art-and-design-world power couple, she a weaver and printmaker, and he a painter. Both of their careers began at … Read More
When Paris museums attack a subject, they don’t mess around. The exhibition “Les Flammes: L’Âge de la Céramique” at the Musée d’Art Moderne de Paris is a deep dive into a vast subject: ceramics. Ceramics of every imaginable type, style, … Read More
Who hasn’t yet heard of Vivian Maier, nanny by profession, photographer by avocation? Her story is so unusual and her photographs so good that she never ceases to fascinate. Now the Musée de Luxembourg is holding what is apparently the … Read More
Georgia O’Keeffe (1887–1986) is mega-famous in the United States for her flower paintings, almost to the point of oversaturation, but the current retrospective at Paris’s Centre Pompidou shows just how much more there was to the work of this versatile … Read More
The first thing you see when you enter the darkened “Salgado Amazônia” exhibition space in the Musée de la Musique at the Philharmonie de Paris will knock your socks off: a large, grainy, high-contrast black-and-white print of heavy, roiling, black-edged … Read More
Speaking of women-only exhibitions (see last week’s review of “Women in Abstraction”), I recommend a visit to the show “The Power of My Hands” at the Musée d’Art Moderne de Paris, which presents the work of 16 African women artists … Read More
Ideally, there would be no need for all-women exhibitions of art that make a special case for – and risk ghettoizing or condescending to – women artists; women would simply be included in sufficient numbers in all group shows and … Read More
Damien Hirst may have set out to shock and dismay in his early days with works featuring dead animals preserved in formaldehyde and maggots feasting on cows’ heads, but today he seems to be taking exactly the opposite approach: seeking … Read More
